All of them carry into Death Stranding’s pursuits of allegory, some deep and hidden, some point-blank and peculiar, and others surprising.
#DEATH STRANDING WALLPAPER CODE#
Even in small moments, they all etch out their very own fondness in the greater narrative whole.Ĭharacter code names all play a part in this as well. This holds true for many side characters as well. Most tragic, some heartfelt, some melancholy, but they all hit home stupendously. Each character has his or her moment to shine. Few video game villains can stand up to the performance Troy Baker gives to Higgs.Īll of these cameos aren’t gimmicks, either. Holy hell, does Baker steal the show in every moment he appears! Higgs, Baker’s bastard of a character, has both stellar writing and impeccable acting behind him, creating an absolutely fantastic villain. Combining Mads Mikkelson, Norman Reedus, Léa Seydoux, and Tommy Earl Jenkins is already a tall order, but you also see voice actor extraordinaire, Troy Baker, join the fray. Not many movies have such an all-star cast as Death Stranding does. What makes all of this better is the list of cameos that appear throughout the game, and said cameos’ performances even more so. A very generous amount of time is spent in the early hours of the game establishing the setting and the circumstances that have created it. This means that lengthy cutscenes, plot twists, cinematic references, current events, and cutting-edge visuals all compile the complete package, laced liberally with spontaneous cheeky humor.
It goes without saying that Death Stranding is a Hideo Kojima title through and through. In doing so, the country, as well as the individuals, gain access to shared knowledge and resources, using their Chiral Printers (3D printers) to generate equipment, weapons, and technology needed to help bring life back to a kind of normal after the Death Stranding. Along the way, he must find different ways to introduce the Chiral Network to people he comes across and convince them to connect themselves to the network.
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